“In a weird way, the area kind of reminds me a little bit of Williamsburg, before Williamsburg became Williamsburg,” echoed Birnbaum, founder and chief executive officer of Dreamscape, of the project’s Washington St. locale. With this in mind, the group tapped revered architect Morris Adjmi, responsible for leading the revitalization of Manhattan’s Meatpacking District and Brooklyn’s Williamsburg expansion, to shape the exterior of the property. The result is a seven-story structure dominating an entire city block, featuring flouted white columns and a glass-topped breezeway ornamented with greenery by landscape architect Raymond Jungles. Inside, visitors are welcomed by a lush and uniquely cinematic experience. “Being in there is like being in a Wes Anderson film,” Williams says simply. “It’s like Margot Tenenbaum.” Under the expert eye of interior designer and event producer extraordinaire Ken Fulk, the dusty pastel hues synonymous with the cult favorite director are brought to life in Fulk’s signature ornate splendor. “I remember the first time I met with David and Pharrell, I showed up wearing my Thom Browne suit at 10 a.m. and they decided we should meet on David’s boat, and I thought I had stepped into an episode of Entourage, but we instantly hit it off and had this wonderful meeting of the minds,” Fulk recalls. “We’re three different people, but somehow I think that energy really connects, and it quickly became this sort of mutual admiration society.”
Across the sprawling property, a careful consideration of every element is made evident in its depth and scope. In the indoor-outdoor eatery, Strawberry Moon, guests find a menu of poolside classics and Mediterranean delicacies with Instagram-worthy twists served up alongside Art Deco-inflected furniture and fixtures. In the lobby lounge, cocktails like the “Purple Rain”—mixed with Avion Blanco tequila, Shōchū, butterfly pea flower, lavender, and Yuzu—are on offer in glassware plucked from a retro Miami living room. “I think when you see all of the spaces together, there’s something that feels as if it could be from the 19th century, mixed with mid-century Dolce Vita, mixed with a dose of 1980s optimism,” Fulk says. “You want to be surprised. You want to find joy in the small things. You want to be present in the moment, and when you see the beauty in that, it’s all of these wonderful little things that combine for an incredible experience, and really that was what we were striving for.” In its final form, slated to open for guests in January 2021, The Goodtime will serve as a center of gravity for the inevitable excitement that follows in the wake of someone like David Grutman, a hospitality guru, and Pharrell Williams, whose recent relocation to Miami earlier this year has ushered in a new coterie of collaborating musicians and a renewed creativity for the multi-hyphenate artist. “The energy here, that’s everything to me,” Williams says. “The weather, the water, the humidity. Some people don’t like the humidity, but I think humidity is good for the skin, and for creativity. It might rain once a day here for about 10 minutes, but that means there are lots of rainbows, and who doesn’t want that?”
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