Then, there’s the afterlives of her murder: the ways that people knew Jane in the anthropology community or didn’t and how they infused meaning or their own morals in the story. In order to be able to tell the story of how her death impacted people 50 years later, you needed a character who was able to bridge that gap. And so I hoped that my character could be the person through whom time was allowed to collapse.
This book is mainly about Jane, her life, and her untimely death, but you also interweave your own view into it. Why did you make that decision? My impulse was to have as little of me in the book as possible. But I think there were a couple of structural things that made it important for me to be a character in the book. One was that for the 8 of 10 years that I was working on the book, it was unsolved.
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